I have largely moved from the archives to the museum of Uralmash history. Uralmash – short for “Ural machine-building plant” – was an industrial giant built in 1933. It turned iron ore into heavy factory machinery in the 30s, into tanks and artillery during the war, and into excavators and oil drilling equipment starting in the 50s – as well as into spoons, bed posts and shovels. Uralmash is still around and is still a town within a town – with its own well-planned topography, landmarks, even specially designed trash receptacles in the streets – and it maintains a strong sense of its historical importance. Hence the museum – a fantastic collection of photographs, memoirs commissioned from the plant’s veterans, personnel files, gifts from India and Romania (the factory sent many of its engineers to give consultations abroad), and lovingly constructed models of excavators and oil drills.
The museum is run by Nina Georgievna, an incredibly energetic middle-aged woman who has personally typed about 80% of cards in the card catalog and spends her days organizing temporary exhibitions and community events in the museum space, giving local history lectures to middle-schoolers, and nursing a dream to expand the Uralmash museum into a museum of the history of technology. She is the museum’s only full-time employee, but recruits a menagerie of volunteers – an artist friend to set up a new exhibit with her twelve-year-old daughter, a bright-eyed factory veteran to lead a walking tour to the historic water tower (a gorgeous example of constructivist architecture). She wears her curly hair in an unruly ponytail that has a life of its own – a puppy attuned to the mood of its owner – playfully messy when Nina Georgievna drinks tea and tells me about her last visit to St. Petersburg, frantic when the conversation turns to museum’s funding, suddenly sombre and severe when we discuss the history of repressions at Uralmash.
Reading memoirs is a luxuriously different proposition from reading Soviet government documents. I get excited in the archives, and I find some delightfully revealing things, but the raw emotion of memoirs, especially wartime memoirs, makes it easier to remember that I’m thinking and writing about real people. Actually, I think it may be one of the reasons why more is written on the history of the Soviet 20s and 30s than its 50s and 60s.
There are many other plausible explanations for this. We are historians – we take things in chronological order. More of the earlier documents – the really interesting ones – have been declassified. Origins, when things change rapidly and abruptly, are more interesting than carryings-on, when things change more slowly and incrementally. The 30s have the great famine, great terror, great utopianism and great industrialization; the 50s and 60s have corn, television, and dreams of separate apartments for everyone. And Cold War, but people who study that don’t usually cross over to social history.
But one just needs to look at the archives to see what I mean. Pick a long-lived institution and look through the inventory of its archival records, beginning to end, and you’ll see bureaucracies settling in, sinking into a vocabulary, replacing names with numbers. A “meeting to discuss the purging of the student body, 1933″ may be fundamentally about the same thing as “report on admissions, 1958,” but the former is more legible: you can pick it up and read names, arguments, sob stories, you can actually begin to learn what happened in that university room in 1933 and why. The latter is probably a folder of tables – lots of data, but almost meaningless at the first glance and incomplete without many other types of documents. And there are more folders like this the further you go.
And in my dream world they would be scanned and OCR’ed and put into databases so I can finally learn some statistical analysis and use this enormous wealth of data to go with my memoirs. And don’t think pages of tables and formulas, please – think a text like Freakonomics, but about the Soviet society, not present-day America. That could really be something.